We’re thrilled to welcome the extraordinary Ghenwa Nemnom to our blog. A music prodigy whose passion ignited at the tender age of eight, Ghenwa has carved a unique path in the world of music. She began her formal training at the National Lebanese Conservatory in 1995, where her natural talent blossomed through rigorous study of her instrument and a deep dive into music theory. At just sixteen, she took a bold leap across the globe to the United States, where she further expanded her artistic horizons at Oakland University of Michigan.
Ghenwa’s relentless quest for musical knowledge has led her to the far corners of the earth, allowing her to discover a diverse array of musical styles and cultural influences. Central to her exploration is the Qanun, a Mediterranean instrument with a history dating back to Mycenaean times. Ghenwa’s commitment to this unique instrument is evident in her desire to breathe new life into its sound, challenging conventions and embracing modern fusion genres.
With a growing repertoire that blends Oriental, Classical, Latin, African, and electronic elements, Ghenwa has released original tracks on prestigious global labels and performed at high-profile events for luxury brands like Christian Dior and Prada. Her music resonates across continents, epitomising the belief that music is a universal language. Join us as we delve into Ghenwa’s inspiring journey, her creative process, and her vision for the future of the Qanun in contemporary music.
Your journey began at the National Lebanese Conservatory. How did this traditional training ground shape your unique sound that now resonates globally?
My time at the National Lebanese Conservatory was fundamental in shaping my musical identity. The rigorous training provided me with a deep understanding of classical and traditional forms of music, especially within the rich heritage of Arabic music. As I ventured into fusing the Qanun with electronic music, this traditional grounding allowed me to stay true to the instrument's soul, even while exploring new genres. The conservatory taught me discipline and gave me the tools to innovate while maintaining the integrity of the music I create. This balance has been key to creating a sound that resonates globally, bridging cultures and time through music.
The Qanun is deeply rooted in Middle Eastern culture. What about this ancient instrument captivated you, and how did it influence your identity as an artist?
What drew me to the Qanun was its ability to evoke a wide range of emotions, from the delicate to the powerful and profound. Playing the Qanun feels like connecting with something ancient and timeless, yet it also offers endless possibilities for personal expression. As an artist, the Qanun has influenced my identity by grounding me in my cultural heritage while also challenging me to explore new musical territories. It has become a bridge between my roots and my aspirations, allowing me to honor my heritage while also pushing the boundaries of what this instrument can do.
"Gaia" is a striking fusion of the Qanun with electronic music. Can you walk us through the creative process and the inspiration behind blending these seemingly disparate genres?
The fusion of the Qanun with electronic music in "Gaia" was a journey of exploration and connection between tradition and modernity. The process began with a deep dive into the rich, expressive sounds of the Qanun. Its tonal qualities are intricate, so I wanted to preserve its essence while finding ways to complement it with electronic elements. The challenge was to ensure that the electronic sounds didn't overpower the Qanun but instead created a harmonious dialogue between the two. "Gaia" is about unity and coexistence, merging the old with the new, the acoustic with the digital, to create something that resonates on a deeper, more universal level. It reflects my belief in music as a universal language, capable of transcending time and culture.
Fusing ancient sounds with contemporary beats can be challenging. What are some of the biggest challenges you've faced in integrating the Qanun with electronic music, and how have you overcome them?
Fusing ancient instruments like the Qanun with contemporary electronic music can indeed present challenges. Here are some I have faced and how I’ve navigated them:
1. Balancing Traditional and Modern Sounds: Ensuring that the Qanun’s sound is not overshadowed by the power and depth of electronic beats has been a constant balancing act.
2. Cultural Sensitivity: Incorporating traditional instruments into modern contexts can sometimes risk diluting their cultural significance. I am always conscious of respecting the Qanun’s heritage while still pushing creative boundaries.
Your single "Gaia," featured on Scorpios Music's Sonic Discoveries EP, has garnered significant attention. What do you think resonates most with listeners about this track?
I believe what resonates most with listeners about "Gaia" is the way it merges the organic with the electronic, creating a sound that feels both familiar and new. The track is rooted in the ancient, earthy tones of the Qanun, which brings a sense of depth and emotion, while the electronic elements add a modern and energetic layer to it.
Performing at iconic events like the Baalbek Festival must be exhilarating. How do such live performances feed into your creative process and shape your musical narrative?
Performing at iconic events like the Baalbek Festival is a profound experience that significantly feeds into my creative process and shapes my musical narrative. Here’s how these performances influence my work:
1. Energy and Atmosphere: The energy and atmosphere of such a historic venue create a unique environment that is both inspiring and humbling. The way the sound of the Qanun resonates through ancient stone structures, mingling with electronic beats under the open sky, often sparks new ideas and directions for my music. It’s a powerful reminder of how music can connect us across time.
2. Cultural Reflection: Performing in such a culturally rich setting forces me to reflect on the cultural significance of my work. It reinforces my commitment to preserving the heritage of the Qanun while innovating within the electronic music space.
3. Storytelling through Music: Performing live at such events allows me to tell a story not just through the music but through the entire performance.
"Gaia" evokes a sense of both tradition and innovation. What stories or emotions are you aiming to convey through this track, and how do you hope it impacts your audience?
The stories and emotions I aimed to convey through "Gaia" revolve around several key themes:
1. Connection to the Earth: The title itself, "Gaia," is a reference to the ancient Greek goddess of the Earth.
2. Balance and Harmony: "Gaia" explores the concept of balance, both musically and thematically.
3. Innovation and Tradition: One of the central emotions I wanted to convey is the beauty of innovation without losing sight of tradition.
4. Hope and Reflection: There's a reflective quality to "Gaia," inviting the listener to contemplate their own place in the world and their relationship with the environment.
Your career has undoubtedly been marked by memorable moments and collaborations. Can you share a particularly impactful experience that has shaped your musical journey?
I’ve been fortunate to have many memorable moments and collaborations. One that stands out was playing at Scorpios for the first time. It was dear to my heart, as I had the chance to showcase the Qanun on an international platform while collaborating with Paax Tulum.
What new projects or sonic explorations are on the horizon for you? How do you see your sound evolving, and what can your fans look forward to?
I’m working on different music productions that I expect to release next year. I’m experimenting with a wide spectrum of genres, such as Latin and Afro House, in addition to my usual Oriental House music.
Lastly, please leave us with your favourite closing track.
My latest favourite track is "My Love for You" by Martin Lou.
Ghenwa Nemnom